PAINTING IN SICILY / AGRIGENTO

No painting excursion in Sicily is complete without a visit to Agrigento. Don’t ignore the modern city; But if your time is limited, at least focus on The Valley of the Temples, which is the most important archaeological site on the island. The site is best viewed in the early morning, not only because of the light, but also, it’s before the crowds descend and impede your artistic concentration. The site boasts no fewer than twenty temples, each worthy of a painting.
The surrounding landscape is replete with grain farms and there are few trees in sight. The colors range from green or yellow, depending on the season. Poets of ancient times, like Pindar and Virgil have praised the beauty of the region. And modern poets, like Salvatore Quasimodo deemed it “idyllic.” Pindar wrote: “Agrigento, loveliest of mortal cites.” Pirandello, A native of Agrigento wrote: “Agrigento is where people eat as if they were having their last meal on earth and they build their houses as if they were going to live in them forever. In other cities, between December and February you have fog, ice, and at best, a pale ray of sunshine; here the almond trees are in full bloom, warmed by the breath of the African Sea.”
Okay, so tell me you’re not interested in painting this region!
Buon Viaggio!

SUNLIT / SICILY

PAINTING IN SICILY / THE COLORS OF SICILY

When I think of Sicily the first color that comes to mind is gold. The Sun God must have a special place in Her heart for the island; why else would She so generously lavish every field, mountaintop, building, monument, pillar, and ruin with Her precious golden kisses?
Another color would be gold’s kissing cousin, yellow. Not only do yellow sunflowers and daisies sparkle against one of the bluest skies you’ll ever see, but the profusion of lemon trees, with fruit the size of baseballs, scent this sunlit island with an aroma that will make your head spin (in a good way). And when that lemony smell finally triggers your taste buds, yellow drinks are where it’s at. Fresh-squeezed lemonade is served in every bar and pasticeria and it’s guaranteed to spoil you forever to only drink Sicilian lemonade. If you’re looking for a little more “kick” order a Limoncello, that wonderful lemon liquor made from the zest of those amazing Sicilian lemons.
My recommendation for ending a day painting in Sicily would be to sit outside, sip some liquid gold i.e. Limoncello, and watch the Sun paint the sky golden as She settles down for the night.
I painted “SUNLIT,” the monocromatic painting above, because I wanted to capture on canvas my sensitivity to the Sun-kissed Island of Sicily.
This painting is available for purchase at my art website:
http://www.pamelaallegretto-franz.com/
Si può vedere e comprare questo quadro al mio website d’arte: http://www.pamelaallegretto-franz.com/

PAINTING IN SICILY / ENNA

While planning one of our visits to Sicily, I did a little research on Enna. One guidebook labeled Enna as a “dreary city.” And yet further assessment indicated otherwise. I decided to find out for myself.
Well, let me tell you, Enna is anything but “dreary.” If you’re looking to paint “killer views” a trip to Enna is a must.
One of the oldest cities on the island, Enna has been called “the navel of Sicily,” by the Greek poet Callimachus, but is usually known as “the belvedere of Sicily”, which seems a better-suited title considering its stunning views. Enna is also the highest capital in Italy.
You can set up in Piazza Crispi and either paint the impressive view over Calascibetta, the Madonie Mountains, or a remarkable view of Etna.
For architecture sketchers and painters, you’ll love the Castello di Lombardia. Six of its twenty towers are still standing and it’s considered one of the most imposing buildings of it kind in Sicily. Byzantine in origin, it contains Norman and Swabian add-ons. Bring your camera and sketchpad up into the tower, called the Eagle or Pisan tower, where there is a far-reaching view over the surrounding countryside.
The public gardens on the outskirts of the city, not only burst with prismatic delights, the octagonal tower that Frederick II built in the 13th century is a must see.
Dreary city, my ass!
Buon Viaggio!

PAINTING IN SICILY / MARINELLA

If you want to spend more than one day painting the honey colored stones at the ancient site of Selinunte, you may want to book a room in the nearby seafront village of Marinella that lies about a mile east of the ancient city. This little hamlet offers up excellent beaches, and an early morning dip in the Mediterranean is guaranteed to wake up any creative juices that may still be lumbering from jet lag. When you’ve finished painting at Selinunte, I recommend setting up for at least a few hours on the beach. If you happen to be with artists of varied interests, you can all still paint together: seascape enthusiasts have the Mediterranean as their muse, while artists who prefer painting architecture can turn backs to the sea and paint the delightful sienna and yellow ochre village.
If you do spend the night in one of Marinella’s few hotels, keep the windows closed at night. Don’t worry; I’m not about to warn you of cat burglars. It’s the bats. Marinella’s bats have a tendency to pay midnight visits through opened windows and balcony doors. Do they bite? I don’t think so. But I can tell you from experience that having bats flapping overhead can spoil a good night’s sleep.
Buon Viaggio!

IL PRIMO SETTEMBRE/SEPTEMBER FIRST by Luciano Somma

On this last day of August and the eve of autumn, I felt it appropriate to share the poem SEPTEMBER FIRST written by Luciano Somma. As in all of Luciano’s poetry, we feel the sentimental spirit of one of Italy’s foremost poets. You can find Luciano Somma at:
http://www.partecipiamo.it/Poesie/Luciano_Somma/1.htm
http://www.scolastica2000.it/MUSICALMENTE/somma/somma.htm

In quest’ultimo giorno d’agosto e la vigilia d’autunno, ho sentito che era adatto offrire la poema IL PRIMO SETTEMBRE scritto di Luciano Somma. Come tutte delle sue poesie, sentiamo lo spirito sentimentale d’un poeta molto noto in Italia. Si può trovare Luciano Somma a:
http://www.partecipiamo.it/Poesie/Luciano_Somma/1.htm
http://www.scolastica2000.it/MUSICALMENTE/somma/somma.htm


IL PRIMO SETTEMBRE
L’ultimo sogno d’Agosto
Si sveglia col primo Settembre,
questa sera è un incanto!
Il cielo è amaranto, uno spiffero di vento
dolce come la carezza d’un bene
amaro come il fiele del pianto
mi porta una ciurma di pensieri
Che affollano la mente
e mettono in croce questo cuore.
Vorrei che piovesse e non piove…
Vorrei tante nuvole intorno
ma la luna è d’argento
Vorrei che un sogno tornasse
ma il sogno non torna.
Questo sogno è partito
sulle onde
dell’ultima sera d’Agosto
lasciandomi
un grappolo di stelle
lassù nel cielo amaranto
in questa sera incantata
del primo Settembre.
Luciano Somma

SEPTEMBER FIRST
The last dream of August
awakens with the first of September,
this evening is enchantment!
The sky bleeds red and purple, a light breeze
soft like a lover’s caress
bitter like malicious words
brings me a crew of thoughts
that crowd my mind
and crucify this heart.
I wish it were raining and not rain…
I’d like a cloud-filled sky
yet view a silver moon.
I wish the dream was ending
But the dream doesn’t end.
This dream has departed
on the waves
of the final August evening
leaving me
a cluster of stars
far-off in the bleeding sky
in this enchanted evening
of September first.
Pamela Allegretto Franz (translation)

PAINTING IN SICILY / SELINUNTE

Situated on a hill on the southwest coast, Selinunte, founded in 628 BC, was one of Sicily’s most important ancient towns. Within the archaeological site, “Temple G” is one of the greatest known monuments of Greek antiquity.
Fortunately, for artists like myself who like to sketch and paint ancient ruins but are distracted by hordes of tourists, Selinunte remains one of the less-frequently visited.
If you arrive promptly at the 9am opening you can usually have the entire city pretty much to yourself until the tour buses roll in around 10:30-11am. But even then, this “village of pillars” as the 11th century Arab writer, Idrisi, referred to it, is large enough to find an out of the way spot to set up. If you don’t want to waste time wandering around to locate “just the right spot,” tell the men at the main gate that you’re an artist and ask them for directions to the best sites. They are intensely proud of Selinunte and the fact that you want to paint there will bend them over backwards to accommodate you.
It can get hot there in the summer so bring water. And of course carry out what you bring in. Yes, the gatekeepers love artists; no, they won’t tolerate artists who litter. Remember what I said in my last blog about “sleeping with the fish?”

PAINTING IN SICILY / MONREALE

Homer told the story of the Lotophagi who once inhabited the island of Sicily. All new arrivals were required to eat of the lotus tree and at once forgot their homes and lost all desire to return to their native lands. When you’re in Sicily it won’t take a bite from the lotus tree to cloud your dreams of home and hearth, just stand outside and look in any direction. The inhabitants claim you need four eyes to fully appreciate Sicily’s beauty. I say six!
Goethe praised the road that leads from Palermo to Monreale. “It is,” he wrote, “a wide road, lined with trees, sloping gently, full of fountains, some with jets, others flowing, but all beautifully decorated with ornaments and friezes.” Monreale is such an idyllic spot that the Palermans have a saying: Chi va a Palermo e non vede Monreale, asino va e asino torna. (Whoever goes to Palermo without seeing Monreale – goes as an ass, and returns an ass.) So don’t be an ass. Spend a day painting at Monreale.
Visit the cathedral, built in 1174; it is one of the wonders of the medieval world. Don’t be fooled by the relatively drab façade, the interior is covered throughout with shimmering gold mosaics.
After you’ve caught your breath and still have that glitter of “gold” on your mind, you can set up and incorporate those rich golden hues on your canvas, inspired by sweeping rooftop scenes, valley landscapes, or coastline views.
As always, carry out what you bring in. If you’re an oil painter, don’t dump your mediums. Yes, the Mafia is alive and well and living in Sicily, especially in the vicinity of Palermo. But don’t let that deter you. The Mafia families are great lovers of art and artists, but they don’t like anyone despoiling their beautiful island. Go to Sicily to paint the fish, not sleep with them.
BUON VIAGGIO!!!

SICILIAN TABLE

SICILIAN TABLE

Since cheese is my favorite food, I felt it was high time I painted a nice ball of aged provolone. Then I had to decide what to add to it. That was easy. What better accompaniment than wine, tomatoes, and olive oil? Buon appetito!
The above painting can be purchesed at my art website: http://www.PamelaAllegretto-Franz.com
Siccome il formaggio è il cibo che preferisco più di tutto, ho deciso è già tempo che faccio un quadro di un pallone di provolone. Poi ho deciso che non ci sta un accompagnamento meglio che vino, pomodori, ed olio di olivi. Buon appetito!
So pou` comprare il quadro al mio website d'arte: http://www.PamelaAllegretto-Franz.com

PAINTING IN SICILY / TAORMINA

Rent a car if you intend to take full advantage of this color splashed island. The highway system is relatively uncluttered; and the well-maintained, secondary roads are often times traffic free especially from October through March.
Although touristy, one of my favorite sites is Taormina. (Stay as far away as possible during the month of August) Taormina’s mountaintop location is unequaled, its Greek Theater the most dramatically positioned, and its temperate climate ideal for plein air artists. If you go in the springtime it’s nearly impossible to omit the purple explosion of bougainvillea from your canvas.
Goethe said the Greek Theater commanded one of the most spectacular views in the world. I’ve not traveled the entire world, nor do I think Goethe did, but I’d wager his comment is dead on. To the right, citadels precariously perch on cliffs; to the left, the coastline stretches as far as Catania or even Syracuse; below, lies the town of Taormina awash in bougainvillea; directly ahead, the long ridge of Etna, whose mouth spews its fiery admonition. What’s not to love? Set your alarm or request a wakeup call at your hotel so you can get to the Theater at dawn, when the sun rises from the sea to plant a fat pink kiss on Etna’s snowy peak.
Buon Viaggio!

Importance Of An Artist's Website

I recently returned from a visit to my home state of Colorado. (Yes, that’s the reason for the gap in blog-postings) While there, I had the pleasure of attending an art festival in the mountain town of Breckenridge. The art, which was primarily southwestern, reminded me of the importance of an artist’s website.
Here in Connecticut, the majority of art exhibited in galleries and festivals is New England landscapes and seascapes. When I lived in Kailua-Kona, Hawaii, tropical art was the preferred art form. Clearly, regional art is the preferred subject matter at most galleries and art festivals.
But what if your taste in art fluctuates? What if you, like me, get easily bored? Can you eke out a living painting New England landscapes in Colorado? Can you survive trying to sell tropical paintings in Connecticut? Is there a large market for Italian landscapes in Massachusetts? Probably not. So what can you do to keep coins in your pocket and creative juices flowing? Create a website.
Now, this is not a “paid for programming” ad for the host website in which I belong. But I do advocate a website if you want to reach art-lovers around the country and around the world. Selling via the Internet allows artists the freedom of diversity. No longer will you be constrained to a limited subject. Your only restrictions are those you inflict on yourselves.
My advice: Set up an art website and paint what you love.
My art can be viewed at: http://www.pamelaallegretto-franz.com/ the host site is ArtMajeur. If you go to this site, you can click on “home” and follow the instructions to setting up a website. It can be free, or if you want a few perks, it’s a minimal amount. There are numerous other artist websites available. Check them out and get connected. Don’t limit yourself to the few visitors each day in a gallery or the one-time art festival shoppers. Of course they are important, but their numbers are miniscule to the visitors you’ll get on the Internet.
Happy painting!!!

PAINTING IN ITALY / LAGO DI COMO

Lake Como (Larius, as it was known to the Romans) has been called “the looking glass of Venus,” and Virgil pronounced it “our greatest lake.” Not to be out quoted, Stendhal characterized Lake Como as “everything noble, everything evoking love.” With these dazzling recommendations, how can any artist resist this idyllic local?
I recommend not setting up in the town of Como, as it is a busy industrial town. It’s not that there isn’t a plethora of squares and charming buildings to paint within the town, but if your time is limited you may prefer the smaller, more picturesque villages that line the lake.
Bellagio, which is labeled the “pearl of Larius,” and has also been called “the prettiest town in Europe,” is the perfect spot to set up for a day. Be sure to clamp down your canvas as a gust off the lake can kick up unexpectedly. If your canvas ends up face down in your pallet, don’t say I didn’t warn you.
My personal favorite is Tremezzo, on the west shore of the lake. Landscape artists will love the luxuriant vegetation that includes citrus trees, palms, cypresses, and magnolias.
Buon Viaggio!

LA SERA

PAINTING IN ITALY / CHIANTI REGION

The Chianti Region in Italy runs along the state highway SS222 between Florence and Siena. The Chianti region not only boasts rolling hills and mountain top villages, but a wealth of castles. Some of the towns to look for:
Verrazzano (You might recognize the name as Giovanni "da" Verrazzano discovered the NY Harbor and the Island of Manhattan. The Verrazzano Bridge that runs to Staten Island was named after him.) Castello di Verrazzano, Giovanni’s birthplace is an ideal location to set up an easel, (just make sure to ask permission first). If you get thirsty while painting, you can sample and buy wine here.
The medieval town of Greve, which is the capital of Chianti, is one of the more colorful towns in Tuscany. Set up your easel in the Piazza del Mercatale and have a blast painting and smoozing with art-loving locals.
If painting gardens is your forte, don’t miss Vignamaggio where you’ll find the Renaissance villa that was once the home of La Gioconda, who sat for Da Vinci’s Mona Lisa. The gardens, replete with classical stautes and towering hedges, were featured in Kenneth Branagh’s film, Much Ado About Nothing.
If painting architecture is your preference, visit Castellina in Chianti. This hilltop village still has its fortified walls intact with little houses constructed into the walls and nesting on top of them.
Don’t let the seemingly tortuous, winding roads keep you from setting up in the village of Radda in Chianti. The main piazza is an ideal location to capture on canvas a village unchanged from the Middle Ages.
I have only touched on a small number of villages in this Chianti Region that are worthy of a painting outing; certainly there are many other villages: Badia a Coltibuono, San Sano, Castello di Brolio, and Gaiole, to name a few more.
Don’t forget to always take out what you bring in when painting en plein air. Not all open space is public land; so whenever you’re in doubt, ask first before setting up; trespassing is against the law and fines can be steep. I’ve never know an artist who’s been turned off private land when they asked permission first.

The painting above, La Sera, is an original watercolor and acrylic 12”x16” on 140 pound paper. This is my whimsical version of shop and bar lights spilling into an Italian piazza at dusk. The original painting and limited edition prints can be purchased at my art website:
http://www.PamelaAllegretto-Franz.com
Il quadro sopra, La Sera, è un’originale acquerello e acrilico 31x41cm dipinto sulla carta di 300g/m2.
La mia idea di sogno d’una piazza Italiana al tramonte, quando le luce si riversarono fuori dei negozi.
Si può comprare l’originale oppure le stampe al mio website d’arte:
http://www.PamelaAllegretto-Franz.com

VINNY & THE VAN GO'S / PIANO MAN

FUN ART

Whenever I get painter’s block (that’s what I call it when my mind hits a snag and can’t come up with a subject for my next painting) I revert to what I call fun art. I use the term fun art because aside from layout and pathways, there are no rules to follow. I’m free to use my imagination with the subject and color pallet.
In “VINNY AND THE VAN GO’S (PIANO MAN)” I combined my love of music and art with a playful nod to Vincent Van Gogh.
The above painting can be purchased on my art website:
http://PamelaAllegretto-Franz.com
Nel quadro sopra: “VINNY AND THE VAN GO’S (PIANO MAN)” ho unito mia passione d'arte e l'artista preferito, Vincent Van Gogh, con mia passione di musica.
Si può comprare il quadro sul mio website d’arte:
http://PamelaAllegretto-Franz.com

Plein Air Painting in New England/Fishing at Gay Park

ITALIAN POETRY/DA DOMANI IN DOMANI by Luciano Somma

In the poem, “DA DOMANI IN DOMANI,” written by Luciano Somma, we feel the sentimental spirit of one of Italy’s foremost poets. You can find Luciano Somma at:
http://www.partecipiamo.it/Poesie/Luciano_Somma/1.htm
http://www.scolastica2000.it/MUSICALMENTE/somma/somma.htm

The painting above: “Fishing At Gay Park,” can be purchased at my art website:
http://www.PamelaAllegretto-Franz.com

Nella poema, “DA DOMANI IN DOMANI,” scritto di Luciano Somma, sentiamo lo spirito sentimentale d’un poeta molto noto in Italia. Si può trovare Luciano Somma a:
http://www.partecipiamo.it/Poesie/Luciano_Somma/1.htm
http://www.scolastica2000.it/MUSICALMENTE/somma/somma.htm

Si può comprare il quadro sopra: “Fishing At Gay Park,” al mio website d’arte:
http://www.PamelaAllegretto-Franz.com


DA DOMANI IN DOMANI
A togliere il fiato
al mio cuore bambino
è stata l’attesa
di giorni monelli
e le arrampicate
lassù tra i cancelli
a darmi paura
di tutti e di tutto
donandomi un’alba
vestita di lutto
domani in domani
speranze sospese
cadute nel mare
ne ho fatto le spese
la vita che corre
sul filo di seta
laggiù all’orizzonte
s’è accesa una luce
ancora un’attesa
ma qual è la meta?
Luciano Somma

FROM TOMORROW INTO TOMORROW
To take away the breath
to my child’s heart
that’s been lingering
on impish days
of scrambling
up and over gates
to make me afraid
of everything and everyone
bequeathing to me a sunrise
dressed in mourning
from tomorrow into tomorrow
suspended hopes
fell into the sea
I paid the price
the life that runs
on silk thread
there at the horizon
a light ignites
once more a pause
but to which finale?
Pamela Allegretto Franz (translation)

St. Clement's Castle