Posts
Saturday, October 9, 2010
Jazz Drummer
This painting is all about my love for music and bold colors. You can veiw the original acrylic on canvas painting on my website: http://www.PamelaAllegretto-Franz.com or purchase a giclee print at: http://pamela-allegretto.fineartamerica.comQuesto quadro mostra mio passione dei colori vivaci e la musica. Si puo` vedere il quadro originale dipinto con acrilico sul mio website: http://www.PamelaAllegretto-Franz.com Oppure si puo` comprare delle stampe a: http://pamela-allegretto.fineartamerica.com
Friday, October 1, 2010
To Market
This painting is all about bold island colors. You can veiw the original acrylic on canvas painting on my website: http://www.PamelaAllegretto-Franz.com or purchase a giclee print at: http://pamela-allegretto.fineartamerica.com
Questo quadro mostra mio passione dei colori vivaci. Si puo` vedere il quadro originale dipinto con acrilico sul mio website: http://www.PamelaAllegretto-Franz.com Oppure si puo` comprare delle stampe a: http://pamela-allegretto.fineartamerica.com
Questo quadro mostra mio passione dei colori vivaci. Si puo` vedere il quadro originale dipinto con acrilico sul mio website: http://www.PamelaAllegretto-Franz.com Oppure si puo` comprare delle stampe a: http://pamela-allegretto.fineartamerica.com
Piano Man
This is Guido, one hot pianista. He rocks Jazz and wails the Blues on his funky purple piano. You can veiw this original 20"x20" acrylic on canvas painting on my website: http://www.PamelaAllegretto-Franz.com or purchase a giclee print at: http://pamela-allegretto.fineartamerica.com
Ecco Guido. Lui suona il Jazz con brio sul pioanoforte violetto. Si puo` vedere il quadro originale dipinto con acrilico sul mio website: http://www.PamelaAllegretto-Franz.com Oppure si puo` comprare delle stampe a: http://pamela-allegretto.fineartamerica.com
Ecco Guido. Lui suona il Jazz con brio sul pioanoforte violetto. Si puo` vedere il quadro originale dipinto con acrilico sul mio website: http://www.PamelaAllegretto-Franz.com Oppure si puo` comprare delle stampe a: http://pamela-allegretto.fineartamerica.com
Thursday, July 8, 2010
PAINTING IN ITALY / TUSCANY / PISA
Certainly if you’re an artist who enjoys painting architecture, Pisa should not be missed. The Campo dei Miracoli (Field of Miracles) is as spectacular today as it must have been to medieval visitors. The Duomo, Bell Tower, and Baptistery are set within a vast, meticulously manicured lawn that entices artists to set up and spend a few hours painting. If you’re a true-to-life, detailed artist, don’t get frustrated if what you see doesn’t jive in your over-analytical brain; don’t accuse your t-square of playing tricks on you; and don’t blame that second glass of wine you drank at lunch: not only does the Leaning Tower “lean,” but the Baptistery is inclined out of the vertical and the façade of the Duomo is also a few degrees out of true.
Before you leave the Campo dei Miracoli, you must take time to visit each of these magnificent buildings and definitely take time to visit Camposanto, which Ruskin described as one of the three most precious buildings in Italy, along with the Sistine Chapel and the Scuola di San Rocco in Venice. It wasn’t its tombs but rather its frescos that he praised. Unfortunately, in July of 1944, Allied planes dropped incendiary bombs that set the roof on fire and drenched the 2000 square meters of frescos in a river of molten lead. Fortunately, a few patches of the magnificent frescos remain, including works by Maestro del Trionfo della Morte (Master of the Triumph of Death); which have been detached from the wall and put on exhibit in a room opposite the entrance. Also at the entrance is a photographic display of the Camposanto before the bombing.
On the south side of the Campo, sandwiched between the tourist stalls, you’ll find the Museo delle Sinopie. I love this high-tech museum. After the Allies bombed the Camposanto, the building’s restorers removed its sinopie, the monochrome sketches for the frescos. These great plaster plates are now hung from the walls of the Museo delle Sinopie, where you have the opportunity to inspect up close the painter’s preliminary ideas.
Don’t leave Pisa until you’ve visited and sketched all “three” leaning towers. The 2nd leaning tower is at the end of Via Santa Maria. It’s the 13th century campanile of San Nicola. The base is cylindrical and changes into an octagon and then a hexagon. Inside, take a peek at the paintings by Nino and Giovanni Pisano. You can get to the 3rd leaning tower, the campanile of San Michele dei Scalzi, by walking along the riverbank upstream from Ponte di Mezzo. Everything in this building is severely out of kilter: the columns in the nave tilt this way and that, the windows in the apse are every which way but loose, and the walls set up a dizzy contrast to the tilt of the tower.
After your brain has maxed out on the crooked, tilted, and leaning don't despair, like Florence, Pisa has its Lungarno that boasts a splendid line of riverside palaces that will please every “t-square” enthusiast.
BUON VIAGGIO!
Before you leave the Campo dei Miracoli, you must take time to visit each of these magnificent buildings and definitely take time to visit Camposanto, which Ruskin described as one of the three most precious buildings in Italy, along with the Sistine Chapel and the Scuola di San Rocco in Venice. It wasn’t its tombs but rather its frescos that he praised. Unfortunately, in July of 1944, Allied planes dropped incendiary bombs that set the roof on fire and drenched the 2000 square meters of frescos in a river of molten lead. Fortunately, a few patches of the magnificent frescos remain, including works by Maestro del Trionfo della Morte (Master of the Triumph of Death); which have been detached from the wall and put on exhibit in a room opposite the entrance. Also at the entrance is a photographic display of the Camposanto before the bombing.
On the south side of the Campo, sandwiched between the tourist stalls, you’ll find the Museo delle Sinopie. I love this high-tech museum. After the Allies bombed the Camposanto, the building’s restorers removed its sinopie, the monochrome sketches for the frescos. These great plaster plates are now hung from the walls of the Museo delle Sinopie, where you have the opportunity to inspect up close the painter’s preliminary ideas.
Don’t leave Pisa until you’ve visited and sketched all “three” leaning towers. The 2nd leaning tower is at the end of Via Santa Maria. It’s the 13th century campanile of San Nicola. The base is cylindrical and changes into an octagon and then a hexagon. Inside, take a peek at the paintings by Nino and Giovanni Pisano. You can get to the 3rd leaning tower, the campanile of San Michele dei Scalzi, by walking along the riverbank upstream from Ponte di Mezzo. Everything in this building is severely out of kilter: the columns in the nave tilt this way and that, the windows in the apse are every which way but loose, and the walls set up a dizzy contrast to the tilt of the tower.
After your brain has maxed out on the crooked, tilted, and leaning don't despair, like Florence, Pisa has its Lungarno that boasts a splendid line of riverside palaces that will please every “t-square” enthusiast.
BUON VIAGGIO!
Sunday, July 4, 2010
PAINTING IN ITALY / TUSCANY / ISOLA D'ELBA
The island of Elba is a favorite among European travelers and Germans in particular. But for some reason it hasn’t yet caught on with Americans. Although it’s the third largest Italian island after Sicily and Sardinia, until about thirty years ago it was known mostly for its mineral resources (it was Elban iron in the Roman swords that conquered an empire), and as Napoleon’s place of exile. Oh, what a difference thirty years can make. Now tourists choke the island from the first of June until the first of September, with August being the most popular month. But if you can go in May or September, when the hotels and restaurants are open but the tourist traffic is down, you’ll understand why Napoleon never bemoaned being in exile.
To get there, take one of the car ferries (Toremar or Novarma) from the port at Piombino. I recommend booking in advance. When you get to the docks, you’ll see their offices. Once inside, you may be lucky and get right up to the counter, or you may walk into a crowd. If you encounter the latter, don’t be shy. The crowd is really what the Italians call a line, and if you aren’t aggressive and nudge your way to the front, you may miss the boat, (literally).
The car ferries are an ideal location for capturing on canvas the mainland and island shorelines from a sea perspective. I recommend debarking at Portoferraio, the most popular debarkation point on the island.
Before you leave Portoferraio to explore all the amazing vistas the island has to offer, take a walk up Via Garibaldi to visit Napoleon’s home in exile, the Villa dei Mulini. The villa was built especially for the ex-emperor on a site chosen for its killer views of the bay. There are multiple sites at the villa where you can set up and paint.
Elba’s landscape is rich and varied, featuring deep gulfs and long headlands. The coastline combines high, sheer cliffs, gentle bays with pebble beaches, or broad expanses of sand as white and fine as talcum powder. On the southern slops, cactus plants show that this is a Mediterranean climate; while to the east you’ll find vine-covered hills.
The water around the island is crystal clear and the most beautiful color of blue you will ever see. From the mountainous interior, Monte Capanne in particular, the views will take your breath away. Bus service is excellent, but you’ll be glad you have a car, so you can slip in and out of those out-of-the-way side roads that zigzag here and there, leading to ideal clearings to set up and paint or sketch.
You don’t want to miss west-facing Bagnaia, off the road to Rio nell’Elba, It’s famous for its sunsets and rightly so. You’ll see shades or reds, purples, oranges, and yellows that you’ve never seen before. If you have the fortitude to drive the coiling road beyond, the twin mini hamlets of Nisporto and Nisportino mark the beginning of the most unspoiled beaches and coastline on Elba’s north shore. You can hike into the hills behind, where you’ll find tiny clearings just right for setting up an easel.
If at all possible, plan to spend at least three days painting on Elba. If it’s three, you’ll wish it were four. If it’s four, you’ll wish it was five, etc., etc. In other words, once you arrive on Elba, you’ll wish you were sent there to spend time in exile.
BUON VIAGGIO!!!
To get there, take one of the car ferries (Toremar or Novarma) from the port at Piombino. I recommend booking in advance. When you get to the docks, you’ll see their offices. Once inside, you may be lucky and get right up to the counter, or you may walk into a crowd. If you encounter the latter, don’t be shy. The crowd is really what the Italians call a line, and if you aren’t aggressive and nudge your way to the front, you may miss the boat, (literally).
The car ferries are an ideal location for capturing on canvas the mainland and island shorelines from a sea perspective. I recommend debarking at Portoferraio, the most popular debarkation point on the island.
Before you leave Portoferraio to explore all the amazing vistas the island has to offer, take a walk up Via Garibaldi to visit Napoleon’s home in exile, the Villa dei Mulini. The villa was built especially for the ex-emperor on a site chosen for its killer views of the bay. There are multiple sites at the villa where you can set up and paint.
Elba’s landscape is rich and varied, featuring deep gulfs and long headlands. The coastline combines high, sheer cliffs, gentle bays with pebble beaches, or broad expanses of sand as white and fine as talcum powder. On the southern slops, cactus plants show that this is a Mediterranean climate; while to the east you’ll find vine-covered hills.
The water around the island is crystal clear and the most beautiful color of blue you will ever see. From the mountainous interior, Monte Capanne in particular, the views will take your breath away. Bus service is excellent, but you’ll be glad you have a car, so you can slip in and out of those out-of-the-way side roads that zigzag here and there, leading to ideal clearings to set up and paint or sketch.
You don’t want to miss west-facing Bagnaia, off the road to Rio nell’Elba, It’s famous for its sunsets and rightly so. You’ll see shades or reds, purples, oranges, and yellows that you’ve never seen before. If you have the fortitude to drive the coiling road beyond, the twin mini hamlets of Nisporto and Nisportino mark the beginning of the most unspoiled beaches and coastline on Elba’s north shore. You can hike into the hills behind, where you’ll find tiny clearings just right for setting up an easel.
If at all possible, plan to spend at least three days painting on Elba. If it’s three, you’ll wish it were four. If it’s four, you’ll wish it was five, etc., etc. In other words, once you arrive on Elba, you’ll wish you were sent there to spend time in exile.
BUON VIAGGIO!!!
Thursday, June 24, 2010
PAINTING IN ITALY / TUSCANY / VAL D'ORCIA
If you’re searching for medieval villages to paint, set aside several days and drive south of Siena to the hill towns of Montalcino, Montepulciano, and Montecchiello. These hilltop villages in the Val d’Orcia offer innumerable vistas in all directions. If it’s medieval architecture that intrigues you, each village is replete with Renaissance palaces and steep cobblestone alleys that run beneath vaults and arches.
In this region, my favorite spot to lay down my brush at the end of the day is the Castello di Ripa d’Orcia. Ripa d’Orcia is a medieval hamlet that has remained just as it was during the Middle Ages. To get there, leave the road at San Quirico (you’ll see a road sign) and drive into the countryside for about 5 kilometers. The road isn’t in the best condition but the Castello makes the bone-jangling ride worthwhile when you see it rising up from behind a wall of cypress trees. The Castello offers 6 rooms and 7 apartments, each with a view guaranteed to knock your socks off. If you decide to stay here, I recommend drinking a large brandy at bedtime and sleeping with earplugs so the “otherworldly” moans and groans and footsteps across the room don’t scare your socks off.
Buon Viaggio!
While driving through Italy’s Val D’Orcia region, we spied the cart in the above painting overflowing with flowers, the colors of which mirrored the explosive sunset. Or was it the other way around? Hmmm... A limited number of 8”x10” matted prints of this original acrylic on 140-pound watercolor paper can be purchased from my art website:
http://www.PamelaAllegretto-Franz.com
Val D’Orcia:
Nel regione di Val D’Orcia, ho visto la scena nel disegno sopra, dove il tramonto si specchia nei fiori. Oppure, i fiori si specchiano nel tramonte? Hmmm... L’originale di acrilico è nella collezione d’artista. Si può comprarne delle stampe di 21x26cm al mio website d’arte:
http://www.PamelaAllegretto-Franz.com
In this region, my favorite spot to lay down my brush at the end of the day is the Castello di Ripa d’Orcia. Ripa d’Orcia is a medieval hamlet that has remained just as it was during the Middle Ages. To get there, leave the road at San Quirico (you’ll see a road sign) and drive into the countryside for about 5 kilometers. The road isn’t in the best condition but the Castello makes the bone-jangling ride worthwhile when you see it rising up from behind a wall of cypress trees. The Castello offers 6 rooms and 7 apartments, each with a view guaranteed to knock your socks off. If you decide to stay here, I recommend drinking a large brandy at bedtime and sleeping with earplugs so the “otherworldly” moans and groans and footsteps across the room don’t scare your socks off.
Buon Viaggio!
While driving through Italy’s Val D’Orcia region, we spied the cart in the above painting overflowing with flowers, the colors of which mirrored the explosive sunset. Or was it the other way around? Hmmm... A limited number of 8”x10” matted prints of this original acrylic on 140-pound watercolor paper can be purchased from my art website:
http://www.PamelaAllegretto-Franz.com
Val D’Orcia:
Nel regione di Val D’Orcia, ho visto la scena nel disegno sopra, dove il tramonto si specchia nei fiori. Oppure, i fiori si specchiano nel tramonte? Hmmm... L’originale di acrilico è nella collezione d’artista. Si può comprarne delle stampe di 21x26cm al mio website d’arte:
http://www.PamelaAllegretto-Franz.com
Wednesday, June 9, 2010
PAINTING IN ITALY / TUSCANY / MONTE ARGENTARIO
If you yearn to spend time on an island but boats make you sea sick and you can’t figure out how to swim and carry your easel, canvas, and paints at the same time, then don’t despair, Tuscany has an island you can drive to: Monte Argentario. This peninsula is connected with the mainland by three dams which form two lagoons, the Laguna di Ponente on the west side and the Laguna di Levante on the east side of the middle dam. The promontory was an island in the past, but the sea currents and the Albegna River joined it with the mainland through two tomboli (sand spits, stretches of land), The Tombolo of Giannella and the Tombolo of the Feniglia.
The two main villages on Monte Argentario are Porto Santo Stefano, facing north, and Porto Ercole facing south. Drive the Strada Panoramica, which starts in Porto Santo Stefano and runs along the coast. From here there are several pull-off points where you can paint sea and mainland coastal views in addition to the fabulous views of the Tuscan Archipelago (Isola di Giglio and Isola di Giannutri). At one time, Monte Argentario was a part of this Tuscan Archipelago until this island that’s not really an island used to be an island.
Porto Santo Stefano is charming, but a bit touristy. If you enjoy painting boats and harbors, a few fishing boats still huddle in the town’s smaller harbor, while mega–yachts now choke the main port. There are many waterfront bars where for the price of a limonata or a glass of beer, you can sit and paint for hours without a hassle from the waiter. Although when you do pack it in, don’t stiff the help. Come on, no one’s going to believe that if you can spring for airfare and a rental car you can’t afford to leave a decent tip.
My preference is Porto Ercole, with its charming old quarter and a more authentic fishing-village atmosphere. Although the Romans founded it, the principal historical monuments are two Spanish fortresses, Forte Filippo and Forte Stella, which face each other on opposing sides of the harbor. Most days you will see artists set up along the docks, painting the fortresses, or the weathered fishing boats, or the quaint village from a sea vantage point. My favorite part of town to paint is the lower town (old town), where steep flights of steps are cut into rock, with low arches and dark passages that end with breathtaking views of the turquoise Mediterranean Sea.
At the entrance to the old town, look for a plaque on the stone gate that commemorates Caravaggio, who in 1610 keeled over with sunstroke on a nearby beach, taken to a local tavern, and soon after died of a fever. He’s buried in the parish church of Sant’Ersmo. I guess he should have stuck to painting in Venice.
Take a drive up to the summit, Punta Telegrafo (635m). Coming from the sandy beaches and fishing ports, this interior portion is an unexpected mix of mountainous terrain and the 360-degree views are spectacular.
Avoid going to Monte Argentario on weekends, since the access is limited, traffic jam are typical. If you plan to stay for a few days, which I highly recommend, book a room early if you’re going during the summer months.
Buon Viaggio!
The two main villages on Monte Argentario are Porto Santo Stefano, facing north, and Porto Ercole facing south. Drive the Strada Panoramica, which starts in Porto Santo Stefano and runs along the coast. From here there are several pull-off points where you can paint sea and mainland coastal views in addition to the fabulous views of the Tuscan Archipelago (Isola di Giglio and Isola di Giannutri). At one time, Monte Argentario was a part of this Tuscan Archipelago until this island that’s not really an island used to be an island.
Porto Santo Stefano is charming, but a bit touristy. If you enjoy painting boats and harbors, a few fishing boats still huddle in the town’s smaller harbor, while mega–yachts now choke the main port. There are many waterfront bars where for the price of a limonata or a glass of beer, you can sit and paint for hours without a hassle from the waiter. Although when you do pack it in, don’t stiff the help. Come on, no one’s going to believe that if you can spring for airfare and a rental car you can’t afford to leave a decent tip.
My preference is Porto Ercole, with its charming old quarter and a more authentic fishing-village atmosphere. Although the Romans founded it, the principal historical monuments are two Spanish fortresses, Forte Filippo and Forte Stella, which face each other on opposing sides of the harbor. Most days you will see artists set up along the docks, painting the fortresses, or the weathered fishing boats, or the quaint village from a sea vantage point. My favorite part of town to paint is the lower town (old town), where steep flights of steps are cut into rock, with low arches and dark passages that end with breathtaking views of the turquoise Mediterranean Sea.
At the entrance to the old town, look for a plaque on the stone gate that commemorates Caravaggio, who in 1610 keeled over with sunstroke on a nearby beach, taken to a local tavern, and soon after died of a fever. He’s buried in the parish church of Sant’Ersmo. I guess he should have stuck to painting in Venice.
Take a drive up to the summit, Punta Telegrafo (635m). Coming from the sandy beaches and fishing ports, this interior portion is an unexpected mix of mountainous terrain and the 360-degree views are spectacular.
Avoid going to Monte Argentario on weekends, since the access is limited, traffic jam are typical. If you plan to stay for a few days, which I highly recommend, book a room early if you’re going during the summer months.
Buon Viaggio!
Wednesday, May 26, 2010
PAITNING IN ITALY / TUSCANY / CHIANTI REGION / SAN FEDELE
The Chianti Region in Italy runs along the state highway SS222 between Florence and Siena. The Chianti Region not only boasts rolling hills and mountain top villages, but a wealth of castles. Some of the towns to look for:
Verrazzano (You might recognize the name as Giovanni "da" Verrazzano discovered the NY Harbor and the Island of Manhattan. The Verrazzano Bridge that runs to Staten Island was named after him.) Castello di Verrazzano, Giovanni’s birthplace is an ideal location to set up an easel, (just make sure to ask permission first). If you get thirsty while painting, you can sample and buy wine here.
The medieval town of Greve, which is the capital of Chianti, is one of the more colorful towns in Tuscany. Set up your easel in the Piazza del Mercatale and have a blast painting and smoozing with art-loving locals.
If painting gardens is your forte, don’t miss Vignamaggio where you’ll find the Renaissance villa that was once the home of La Gioconda, who sat for Da Vinci’s Mona Lisa. The gardens, replete with classical stautes and towering hedges, were featured in Kenneth Branagh’s film, Much Ado About Nothing.
If painting architecture is your preference, visit Castellina in Chianti. This hilltop village still has its fortified walls intact with little houses constructed into the walls and nesting on top of them.
Don’t let the seemingly tortuous, winding roads keep you from setting up in the village of Radda in Chianti. The main piazza is an ideal location to capture on canvas a village unchanged from the Middle Ages.
I have only touched on a small number of villages in this Chianti Region that are worthy of a painting outing; certainly there are many other villages: Badia a Coltibuono, San Sano, Castello di Brolio, and Gaiole, to name a few more.
Don’t forget to always take out what you bring in when painting en plein air. Not all open space is public land; so whenever you’re in doubt, ask first before setting up; trespassing is against the law and fines can be steep. I’ve never know an artist who’s been turned off private land when they asked permission first.
If you would rather not travel up and down the boot and prefer to concentrate your Italian painting experience in one region, then you may be interested in checking out The Tuscan Renaissance Center at Borgo San Fedele. This ex-monastery dating back to the 12th century is situated in the Chianti hills, 12km north of Siena. Owners Nicolò and Renata, lovingly restored San Fedele, spending six years to its resurrection. They employed traditional Tuscan building methods and used all original building materials to restore, rather than refurbish the structure.
The views from the large terrace are outstanding, the architecture unique, and the gardens are impeccably maintained. You can even enjoy a refreshing dip in the outdoor pool after a day at the easel.
For complete information on San Fedele, including help with hosting an artist’s workshop or how to sign up for the many exceptional artist’s workshops that are listed on their website, visit:
http://www.tuscanrc.com
http://www.borgosanfedele.com
BUON VIAGGIO!
Verrazzano (You might recognize the name as Giovanni "da" Verrazzano discovered the NY Harbor and the Island of Manhattan. The Verrazzano Bridge that runs to Staten Island was named after him.) Castello di Verrazzano, Giovanni’s birthplace is an ideal location to set up an easel, (just make sure to ask permission first). If you get thirsty while painting, you can sample and buy wine here.
The medieval town of Greve, which is the capital of Chianti, is one of the more colorful towns in Tuscany. Set up your easel in the Piazza del Mercatale and have a blast painting and smoozing with art-loving locals.
If painting gardens is your forte, don’t miss Vignamaggio where you’ll find the Renaissance villa that was once the home of La Gioconda, who sat for Da Vinci’s Mona Lisa. The gardens, replete with classical stautes and towering hedges, were featured in Kenneth Branagh’s film, Much Ado About Nothing.
If painting architecture is your preference, visit Castellina in Chianti. This hilltop village still has its fortified walls intact with little houses constructed into the walls and nesting on top of them.
Don’t let the seemingly tortuous, winding roads keep you from setting up in the village of Radda in Chianti. The main piazza is an ideal location to capture on canvas a village unchanged from the Middle Ages.
I have only touched on a small number of villages in this Chianti Region that are worthy of a painting outing; certainly there are many other villages: Badia a Coltibuono, San Sano, Castello di Brolio, and Gaiole, to name a few more.
Don’t forget to always take out what you bring in when painting en plein air. Not all open space is public land; so whenever you’re in doubt, ask first before setting up; trespassing is against the law and fines can be steep. I’ve never know an artist who’s been turned off private land when they asked permission first.
If you would rather not travel up and down the boot and prefer to concentrate your Italian painting experience in one region, then you may be interested in checking out The Tuscan Renaissance Center at Borgo San Fedele. This ex-monastery dating back to the 12th century is situated in the Chianti hills, 12km north of Siena. Owners Nicolò and Renata, lovingly restored San Fedele, spending six years to its resurrection. They employed traditional Tuscan building methods and used all original building materials to restore, rather than refurbish the structure.
The views from the large terrace are outstanding, the architecture unique, and the gardens are impeccably maintained. You can even enjoy a refreshing dip in the outdoor pool after a day at the easel.
For complete information on San Fedele, including help with hosting an artist’s workshop or how to sign up for the many exceptional artist’s workshops that are listed on their website, visit:
http://www.tuscanrc.com
http://www.borgosanfedele.com
BUON VIAGGIO!
Tuesday, May 25, 2010
PAINTING IN ITALY / SAN MINIATO
If you’re driving from Florence to Pisa, plan to stop and set up your easel for a few hours at San Miniato, which is about midway between these two popular cities.
Climb the hill from the Prato Del Duomo, (wear sensible shoes, no flip-flops), the vistas are outstanding, and on clear days the view extends from the hills of Fiesole to the sea, and from the Apuan Alps to the cliffs of Volterra. You can set up next to the tower, which is a post-WW2 reconstruction of the last remnant of a fort Emperor Frederick II built in 1240. How’s that for “Painting on Location?”
Bread, cheese, prosciuto, fruit, water, and wine are available in town if you want to enjoy a Tuscan-style picnic while you paint. Try to catch either a sunrise or sunset; you will not be disappointed.
As usual, pack smart (translation = pack light).
San Miniato has an exciting and colorful Kite-flying festival the first Sunday after Easter. If you're in the area at that time, go for it!
Buon Viaggio
Climb the hill from the Prato Del Duomo, (wear sensible shoes, no flip-flops), the vistas are outstanding, and on clear days the view extends from the hills of Fiesole to the sea, and from the Apuan Alps to the cliffs of Volterra. You can set up next to the tower, which is a post-WW2 reconstruction of the last remnant of a fort Emperor Frederick II built in 1240. How’s that for “Painting on Location?”
Bread, cheese, prosciuto, fruit, water, and wine are available in town if you want to enjoy a Tuscan-style picnic while you paint. Try to catch either a sunrise or sunset; you will not be disappointed.
As usual, pack smart (translation = pack light).
San Miniato has an exciting and colorful Kite-flying festival the first Sunday after Easter. If you're in the area at that time, go for it!
Buon Viaggio
Friday, May 21, 2010
PAINTING IN ITALY / SAN GIMIGNANO
San Gimignano is a feast for artists who seek diversity. The views from this Tuscan hill town are breathtaking, especially the explosive red sunsets. In town, the Piazza della Cisterna and it’s connecting Piazza del Popolo are the most idyllic spots to set up easels and paint the town’s medieval architecture of towers and palaces, which are almost unchanged since the 13th century.
But if the crowds in the square become too distracting, seek out the quiet back streets where you’ll find a happy surprise at each turn. Such was the case when we stumbled upon the whimsical toy store that I depicted in the painting above. The life-sized puppeteer enchanted me, as did all the hand-carved and hand-painted toys.
Limited edition prints of this watercolor can be purchased at my art website:
http://www.PamelaAllegretto-Franz.com
Siccome mi piacciono tanto i burattini, mi ha incantato questo negozio di giocattoli nel quadro sopra. Si può comprare delle stampe al mio website d’arte a: http://www.PamelaAllegretto-Franz.com
But if the crowds in the square become too distracting, seek out the quiet back streets where you’ll find a happy surprise at each turn. Such was the case when we stumbled upon the whimsical toy store that I depicted in the painting above. The life-sized puppeteer enchanted me, as did all the hand-carved and hand-painted toys.
Limited edition prints of this watercolor can be purchased at my art website:
http://www.PamelaAllegretto-Franz.com
Siccome mi piacciono tanto i burattini, mi ha incantato questo negozio di giocattoli nel quadro sopra. Si può comprare delle stampe al mio website d’arte a: http://www.PamelaAllegretto-Franz.com
Saturday, April 24, 2010
PAINTING IN ITALY / MONTECATINI TERME/ MONTECATINI ALTO
Regretfully, too many artists who travel to Tuscany neglect the Florentine environs. One of my favorites is Montecatini. Montecatini Terme, located 19 miles NE of Florence, is a charming Tuscan town set among the verdant hills of the Valdinievole Valley and known primarily for its thermal spas, mud baths, and the finest mineral waters in Europe.
This town is all about cleansing the body and mind, so it’s the perfect environment to get those creative juices flowing.
The 19th-century Tettuccio spa has beautiful gardens in which you can set up and paint while sipping the curative waters.
For an unruffled day of painting drive up to Montecatini Alto. If you are without wheels, you can take the funicular cable car from Viale Diaz. The Tuscan panoramas from this scenic hillside town are hard to beat. On a clear day you can see Florence. Dotted across this multihued landscape you'll see olive groves, vineyards, Florentine castles, and hillside villa estates.
If landscape painting isn’t your thing, the narrow streets will lead you to the picturesque main piazza, named for the poet Giuseppe Giusti. It was in this piazza that Verdi wrote the last act of Otello / Othello so you know it’s a setting conducive to great works. There are a few bars in the piazza with outside seating where you are welcome to sketch at a table while munching panini and sipping a glass of the local wine, which, by the way is excellent. Wine bottled for export, must, by law, contain nitrates that work as a preservative. The local wine doesn't contain those pesky nitrates that result in a "wine headache."
BUON VIAGGIO!
This town is all about cleansing the body and mind, so it’s the perfect environment to get those creative juices flowing.
The 19th-century Tettuccio spa has beautiful gardens in which you can set up and paint while sipping the curative waters.
For an unruffled day of painting drive up to Montecatini Alto. If you are without wheels, you can take the funicular cable car from Viale Diaz. The Tuscan panoramas from this scenic hillside town are hard to beat. On a clear day you can see Florence. Dotted across this multihued landscape you'll see olive groves, vineyards, Florentine castles, and hillside villa estates.
If landscape painting isn’t your thing, the narrow streets will lead you to the picturesque main piazza, named for the poet Giuseppe Giusti. It was in this piazza that Verdi wrote the last act of Otello / Othello so you know it’s a setting conducive to great works. There are a few bars in the piazza with outside seating where you are welcome to sketch at a table while munching panini and sipping a glass of the local wine, which, by the way is excellent. Wine bottled for export, must, by law, contain nitrates that work as a preservative. The local wine doesn't contain those pesky nitrates that result in a "wine headache."
BUON VIAGGIO!
Tuesday, April 6, 2010
Venezia
The painting below depicts a deserted calle in Venezia, just a few steps from the tourist-choked Piazza San Marco. You can view this painting on my art website:
http://www.PamelaAllegretto-Franz.com
(Originale acrilico 36x28cm dipinto su tela) Un calle tranquillo a Venezia, pochi passi dalla Piazza San Marco. Si può vedere il quadro al mio website:
http://www.PamelaAllegretto-Franz.com
http://www.PamelaAllegretto-Franz.com
(Originale acrilico 36x28cm dipinto su tela) Un calle tranquillo a Venezia, pochi passi dalla Piazza San Marco. Si può vedere il quadro al mio website:
http://www.PamelaAllegretto-Franz.com
Monday, March 22, 2010
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